Della Robbia ( Thomas Maitland Cleland).Cushing (1897, Benton), design suggested by J.Cromwell (1913, Benton), uses capital letters from Benton’s Cloister Old Style.Copperplate Gothic Shaded (1912, Benton).Copperplate series A continuation of a series originally cast by Marder, Luse, & Co.Collier Old Style (1919, Goudy), a private type for Proctor & Collier, a Cincinnati advertising agency, matrices cut by Wiebking.Lower-case letters are identical with Phinney's earlier Flemish Black. It is an adaptation of Priory Text, an 1870s version of William Caslon’s Caslon Text of 1734. Cloister Black (1904, Benton), usually credited to Phinney, but many authorities give full credit to Benton.Cloister Cursive Handtooled (1926, Benton), with Charles H.Cloister Lightface Italic (1925, Benton).Cloister Italic (1913, Benton), based on the 1501 italic face of Aldus Manutius.Cloister Old Style (1913, Benton), based on the 1470 Venetian face of Nicolas Jenson.Clearface series, designed with the help of his father, Linn Boyd Benton.Civilité (1922, Benton), a modern adaptation of Robert Granjon’s face cut in 1557.Cheltenham Medium Condensed + Cheltenham Medium Expanded (1913, Benton).Cheltenham Bold Shaded + Cheltenham Bold Italic Shaded + Cheltenham Extra Bold Shaded (1912, Benton).Cheltenham Medium Italic + Cheltenham Extra Bold (1910, Benton).Cheltenham Oldstyle Condensed + Cheltenham Medium (1909, Benton).Cheltenham Inline Extended (1907, Benton).Cheltenham Inline + Cheltenham Inline Extra Condensed.Cheltenham Bold Extra Condensed + Cheltenham Bold Extended (1906, Benton).Cheltenham Bold Italic + Cheltenham Bold Condensed Italic + Cheltenham Wide + Cheltenham Bold Outline (1905, Benton).Cheltenham Bold Condensed (1904, Benton).Cheltenham (1903, Bertram Goodhue, Ingalls Kimball, Benton and/or Phinney).Century Schoolbook Italic (1921, Benton).Century Schoolbook (1918, Benton), commissioned by textbook publishers Ginn & Company for maximum legibility.
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